Mediums+

Egg Tempera Binding Medium This product contains egg, gum arabic, vegetable oil. When mixed with dry pigments, it provides a flexible consistency. The film obtained will be smoothed and cannot be reworked with water. It allows for applying colours one on top of the other. Ready to use. Thin with water. 200 ml bottle

Sennelier Gouache Binding Medium - Make your own paints! Sennelier gouache binding medium, made from gum, natural glue, glycerine, water and a preservative, and used to give pigments an opaque, matt appearance and make them water-soluble. 200ml

Oil Binding Medium 200ml If you want to make your own Oil Colour Paints this is the product for you. Ready to use binding medium for oil paint. Grind pigment whilst gradually adding small amounts of binder until the desired consistency is obained. It is good practice to always use a mask when using dry pigments Dilute with Linseed, Poppy, Walnut or Safflower Oil, Turpentine or Mineral Spirit.

Sennelier Fixative for oil pastels Made from a vinyl resin and alcohol base, this totally transparent fixative spray leaves a clear and glossy film to protect oil pastels against dust and smearing. For best results, apply in several light coats rather than one heavy application.

High quiality artists pigments; Senelliers pure pigment powder gives you the satisfaction of creating your own colours for paints. The Senellier dry pigments have the most vibrant colours with the highest covering power and mix easily with the Sennelier pre-made binders that you can find in our painting mediums section.

Sennelier Venice Turpentine 32ml Size - For oil painting, add jewel-like surface A pure natural balsam turpentine with a consistency of honey from the European larch tree.  Add as a plasticizer and glass enhancing agent to oil colours, varnishes and oil painting mediums.  Venice Turps is a thick medium which should be mixed sparingly with oil paint to create a jewel-like quality with a tough ename…

Make your own watercolours with this Watercolour Binding Medium. This product contains gum arabic, honey, water, and a preservative. When mixed with dry pigments, it provides a smooth, water-soluble paste with a honey-like consistency. The binder medium will also maintain the watercolours transparency and brilliance. Thin with water (to increase the binders fluidity, add 5 to 10per cent water maxi…

Shellac Varnish Clear - Sealing Varnish & Isolating Varnish This fast drying varnish is recommended for metal leaf to prevent tarnishing.  It may also be used to seal absorbent surfaces prior to sizing, for sealing gesso prior to gilding and as a protective coating over gilded surfaces.  Popular as an isolating varnish, often used as a sealer for collagraph printmaking. Clean brushes and tools in…

Silicon Oil for acrylic colours 45ml bottle with dropper If you are using a pouring medium or loose acrylic medium with your acrylic colours, sprinkle a few drops of silicon oil into your wet mix and watch the results! The silicon oil aids the creation of cells, you will learn to adjust the quantity to achieve your desired effect.

Eliza Turk's Florentine Medium 60ml Eliza Turck's Florentine medium when mixed with oil colour makes it possible to paint freely on textile fabric which will then stand up to subsequent hand washing with soap and water.  Recommended for use on tapestry canvas, ordinary primed canvas, panel, satin, linen, plush and other textile fabrics. It is also the original medium for oil colours on unprepared…

Buff Titanium Watercolour Ground or Primer 118ml, 4 fluid oz Daniel Smith Watercolour Ground acts as a primer on surfaces as diverse as plastic to cloth to tin to stone! Paint watercolours everywhere, the possibilities are endless! Daniel Smith ground can be used on absorbent surfaces: canvas; paper; plaster; hardboard. For non-absorbent surfaces it is best to abrade before application of the grou…

Mars Black Watercolour Ground or Primer 118ml, 4 fluid oz Daniel Smith Watercolour Ground acts as a primer on surfaces as diverse as plastic to cloth to tin to stone! Paint watercolours everywhere, the possibilities are endless! Daniel Smith ground can be used on absorbent surfaces: canvas; paper; plaster; hardboard. For non-absorbent surfaces it is best to abrade before application of the ground:…

Titanium White Watercolour Ground or Primer 118ml, 4 fluid oz Daniel Smith Watercolour Ground acts as a primer on surfaces as diverse as plastic to cloth to tin to stone! Paint watercolours everywhere, the possibilities are endless!   Daniel Smith ground can be used on absorbent surfaces: canvas; paper; plaster; hardboard. For non-absorbent surfaces it is best to abrade before application of the g…

Artisan Water Mixable Fast Drying Medium improves the flow and speeds the drying by about 50% of Artisan oil colours. The Artisan Fast Drying Medium smoothes brushwork, increases gloss and transparency of water mixable oil paints. It is excellent for glazing and producing fine detail and is resistant to yellowing. This medium can be used instead of linseed oil and combines successfully with water.…

Winsor and Newton Granulation Medium is available in 75ml bottles from Pegasus Art. Granulation Medium gives a mottled or granulated appearance to colours which usually give a smooth wash, such as Winsor Red or Winsor Blue. By adding granulation medium to colours that already granulate, such as Viridian or French Ultramarine, the effect is further enhanced. Granulation is popular wherever you want…

Winsor & Newton Gum Arabic 75ml Winsor and Newton Gum Arabic liquid, increases gloss and transparency of your watercolour paints. Viscous flow and binding medium for all gouache and watercolour paints. Gum arabic is used as a binder for watercolour painting because it dissolves easily in water. Pigment of any color is suspended within the acacia gum in varying amounts, resulting in watercolour pai…